Atelier Alexander Sutulov
Chile
(56-2) 475 0355
(56-2) 475 0355
www.visualartprojects.net
Kunstart: Druckgrafik
Technik: Fine-Art-Print
Stil: Klassische Moderne
Statement:
Gestalt in origin, my work has derived over the years into a synthetic language where all previous disciplines have summed up into digital media. Rather than feeling alienated by new technology, the challenge has been how to incorporate various aspects which have embellished more traditional media such as drawing and continuous tone printmaking. The result has been a rich iconography where state of the arts digital printing technology (Giclee) has been capable of materializing a complex process of second generation image construction.
Today, more than ever we can make tangible a visual language which usually remained in the form of an abstraction or an idea. In this perspective, my wish is to convey a nomenclature sensitive to a captive audience eager of a new breathing hole of artistic endeavour.
Surprisingly enough, we rediscover ourselves as a product of cross-cultural environments where INTERNET is no exception in bringing into perspective the right milieu of creative community. In addition, I believe we find ourselves at the right moment where Latin-American art particularly is capturing the attention of a world in crisis which in return demands a new vision, a new understanding.
My commitment is to fortified through networking, an ever growing market of vibrant Latin-American art where long-term relationships are at the basis of a new cultural regional development.
Vita / Lebenslauf:
Alexander Sutulov was born in Concepcion, Chile in 1962 in 1962. He attended the Institute of Contemporary Art in Santiago from 1980 to 1984 and continued his study of art at the College of Fine Arts, University of Utah from 1985 to 1987 under the tutelage and guidance of Angelo Caravaglia with emphasis in painting, drawing, printmaking and sculpture.
Alexander Sutulov nació en Concepción, Chile, en 1962. Estudió en el Instituto de Arte Contemporáneo en Santiago, Chile, desde 1980 a 1984. Continuó sus estudios de arte en el College of Fine Arts, Universidad de Utah, Estados Unidos, desde 1985 hasta 1987 bajo el tutelaje de Angelo Caravaglia, como profesor guía, especializándose en dibujo, pintura, grabado y escultura.
From 1988 to 1990 he worked and collaborated at artist co-op Art Space and Stonehenge where he researched hand built techniques with stoneware, porcelain, wood and metal. His experience with high fire kilns allowed him to apply graphic techniques so much as in reduction and oxidation burning process. This stage also allowed him to explore various "free form" constructions primarily in stoneware applying additive and subtractive techniques to his clay constructions.
Entre 1988 y 1989, trabajó y colaboró en las cooperativas de artistas Art Space y Stonehenge, donde se especializó en la labor escultórica en cerámica, porcelana, madera y metal. Su experiencia con hornos de alta fundición le permitió aplicar distintas técnicas gráficas tanto en reducción como oxidación. Esta etapa también le permitió explorar el trabajo con "forma libre" principalmente con gres, aplicando técnicas tanto aditivas como substractivas en sus construcciones de arcilla.
Later on he was invited to work as an independent artist at the University of New Mexico Printmaking Department from 1990 to 1992, where he was able to experiment with various printing techniques such as: intaglio, woodcut, linocut, relief work at general including viscosity printing, lithography, silkscreen, and monotype.
Posteriormente, fue invitado a trabajar como artista independiente en el Departamento de Grabado de la Universidad de Nuevo México, Estados Unidos desde 1990 hasta 1992, donde pudo experimentar y perfeccionar distintas técnicas de grabado tales como: intaglio, xilografía, serigrafía, litografía y monotipo.
He continued his graphic work with the assistance of Tamarind's Master Printer Rodney Hamon where he specialized in the use of positive and negative photo transfer lithographic plates for hand printed limited editions at Black & Blue Press, Golden, New Mexico. In parallel with graphic artist Michael Gienger, Atelier Sutulov-Gienger was created from 1992 to 1994 in Albuquerque, New Mexico. From 1994 to 1996 he divides his work between United States and Chile where he introduces digital art techniques into his graphic work, producing his first digital murals at Folio-D in San Diego, California. The combination of his previous work with continuous tone printmaking together with digital substrate, created a rich field in the use of second generation images to be implemented in an ample array of visual art projects.
Continuando su trabajo de artista gráfico con la asistencia del Master Printer del Instituto Tamarind, Rodney Hamon Black & Blue Press, Golden, Nuevo México. Paralelamente en colaboración con el artista gráfico Michael Gienger, forma el taller Atelier Sutulov-Gienger en Albuquerque, desde 1992 hasta 1994. Entre 1994 y 1996 divide su tiempo entre Estados Unidos y Chile donde introduce técnicas de arte digital en su trabajo gráfico junto con producir sus primeros murales digitales con el taller Folio D en San Diego, California. La combinación de su trabajo original con tono continuo y posteriormente la introducción del soporte digital, le permite desarrollar ampliamente el uso de imagen de segunda generación y su implementación en proyectos de artes visuales de los más diversos. se especializa en diferentes técnicas de foto-transferencia con planchas litográficas en el taller
Since 1990 he showed several graphics work in selected Group and Solo Exhibitions in Argentina, Australia, Canada, Chile, China, Dominican Republic, England, India, Italy, Japan, Korea, Mexico, Slovenia, Taiwan and United States.
A partir de 1990 ha presentado numerosos trabajos en seleccionadas exposiciones grupales e individuales en Argentina, Australia, Canadá, Chile, China, Corea, Eslovenia, Estados Unidos, Inglaterra, India, Italia, México, Japón, Taiwán, y República Dominicana.
Since his return to Chile in 1994, the artist has been part of a variety of corporate and institutional art projects such as: Gasco Energy Sculpture (2000) commissioned by Gasco gas company in Santiago, and the History of Chilean Mining Mural (2005), 3 story high digital mural commissioned by Chilean Bureau of Mines and the University of Concepción.
Desde su regreso a Chile en 1994, ha desarrollado diversos proyectos artísticos entre los que se destacan la escultura Energía Gasco, emplazado en el año 1999 en el edificio corporativo de Gasco en Santiago y el mural Historia de la Minería Chilena inaugurado en agosto de 2005 en el nuevo edificio de Ingeniería Metalúrgica de la Universidad de Concepción.
The artist studio is currently devoted to a wide range of visual art projects regarding both institutional and corporate entities in the realm of public art encompassing sculpture, digital murals and design projects which integrate interior design with artistic organic solutions for various architectural project applications.
Actualmente el estudio del artista desarrolla proyectos de artes visuales orientados tanto a espacios corporativos como institucionales que comprenden el emplazamiento de obras públicas, tales como, esculturas, murales digitales y proyectos de diseño que integran obras de arte tanto en el ámbito del interiorismo como aplicaciones a proyectos arquitectónicos como soluciones orgánicas.
As an extension and complement to his public and cultural projects, the artist studio specializes in the production of digital paintings for private and residential spaces. The above has also allowed the artist to develop various concepts of smaller format works in the form of fine art limited editions and editorial projects which seek the consensus of a wider audience. As a result, his work is widely published in the Internet creating different notions of identity and space appropriation which the work exerts in specific enviroments.
Como extensión y complemento de sus proyectos públicos y culturales, el taller del artista se especializa en la producción de pinturas digitales en la forma de murales para espacios residenciales o privados. Lo anterior le ha permitido también desarrollar distintos conceptos de obras de menor formato en la forma de ediciones limitadas y proyectos editoriales que tienen como finalidad consensuar un público más amplio. Frente lo anterior, su obra es altamente difundida en Internet creando distintas instancias y lecturas sobre el sentido de identidad y apropiación de espacios que ejerce su obra en entornos específicos.
Aktivitäten / Ausstellungen:
Art Projects & Commissions:
2011 SPIRITS OF THE MIND MURAL PROJECT
Santiago College, Santiago, Chile.
2010 LOS ANDES: COLUMNA VERTEBRAL DE AMERICA EXHIBITING PROJECT
Fundación GASCO, Santiago, Chile.
2008 MARINA SOL CASINO MURAL PROJECT
Concepción, Chile.
2007 HUILQUILEMU MURAL PROJECT
Villarrica, Chile.
2006 CASA IRINA MURAL PROJECT
Curaumilla, Laguna Verde, Chile.
TERRITORIA 3000 CULTURAL PROJECT
Territoria 3000 Building, Las Condes, Santiago, Chile.
GIACOMETTI MURAL PROJECT
Las Condes, Santiago, Chile.
MARIA MADRE DE DIOS EDITORIAL PROJECT
Las Condes, Santiago, Chile.
2005 HISTORY OF CHILEAN MINING MURAL PROJECT
El Teniente Division, CODELCO CHILE
University of Concepción, Concepción, Chile
2003 SANTIAGO ENTER / TIERRA DE LA FRONTERA PROJECT
National Monument Council, National Cultural and Art Council
Santiago, Chile
MURAL PROJECT / OMME VIVUM EX OVO
Tertiary Medical Centres, Santiago, Chile
MURAL PROJECT / CHILE: A MARITIME VISION
Chilean Navy, Santiago, Chile / Florence Biennale
2002 EDITORIAL PROJECT / SACRED HEART BOOK
Editorial Trineo S.A., Santiago, Chile.
2001 KARAMBA MULTIMEDIA PROJECT
Kent Explora Animation Project, Birmann Building
Santiago, Chile.
2000 MURAL PROJECT LA OLA
Proyecto Kent Arte Impreso, Edificio Birmann, Santiago, Chile.
GASCO ENERGY SCULPTURE
Gasco new corporative building, Santiago , Chile
1999 BIO-BIO SCULPTURE - MURAL PROJECT
North Ream Urban Development Program, Concepción , Chile
1998 HISTORY OF CHILEAN MINING MURAL PROJECT
University of Concepción, Concepción, Chile
MURAL PROJECT / SAN JORGE
Edificio Isidoro, Santiago, Chile
CORPORATE ART PROJECT / GRAN IMAGEN COPTERS
Edificio Torre Kennedy, Santiago, Chile
MURAL PROJECT / BAMBERG CAVALIER
Broadway Cultural Center, Albuqerque, Nuevo México, EEUU
1997 MURAL PROJECT / POSCO STEEL
Posco Center, Seúl, Corea
1996 MURAL PROJECT / FRANCO BALLOTTA
Parque Arauco, Santiago, Chile
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Study I / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
228 x 112 cm
2006
Preis: 1.200 Euro
mehr Informationen
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Study II / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
228 x 112 cm
2006
Preis: 1.200 Euro
mehr Informationen
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Study III / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
228 x 112 cm
2006
Preis: 1.200 Euro
mehr Informationen
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Study IV / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
228 x 112 cm
2006
Preis: 1.200 Euro
mehr Informationen
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Study V / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
228 x 112 cm
2006
Preis: 1.200 Euro
mehr Informationen
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Study VI / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2006
Preis: 750 Euro
mehr Informationen
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Study VII / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2006
Preis: 750 Euro
mehr Informationen
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Study VIII / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2006
Preis: 750 Euro
mehr Informationen
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Study IX / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2006
Preis: 750 Euro
mehr Informationen
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Study X / Key Black Series
Werkgruppe: Key Black Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2006
Preis: 750 Euro
mehr Informationen
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Study I / Giacometti Series
Werkgruppe: Giacometti Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2007
Preis: 750 Euro
mehr Informationen
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Study II / Giacometti Series
Werkgruppe: Giacometti Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2007
Preis: 750 Euro
mehr Informationen
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Study III / Giacometti Series
Werkgruppe: Giacometti Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2007
Preis: 750 Euro
mehr Informationen
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Study IV / Giacometti Series
Werkgruppe: Giacometti Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2007
Preis: 750 Euro
mehr Informationen
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Study V / Giacometti Series
Werkgruppe: Giacometti Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2007
Preis: 750 Euro
mehr Informationen
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Study VI / Giacometti Series
Werkgruppe: Giacometti Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2007
Preis: 750 Euro
mehr Informationen
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Aurelio Octavius First Stage / Equestrian Series
Werkgruppe: Aurelio Octavius / Equestrian Series
Druckgrafik
Fine-Art-Print
116 x 112 cm
2007
Preis: 750 Euro
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